Here is an unsurprising headline:
Netflix is making a fourth ‘Beverly Hills Cop’ movie
Despite its superior emotional power – i.e., the main reason for its current ascendancy – video, as a medium, is quite narrow, as it lacks the capacity to bear much nuance and variation, compared with print and live interaction.
Add to this generic defect the fact that corporate capitalism imposes strict filters on media content, not the least of which is the crowding-out effect produced by its relentless multi-trillion-dollar flood of very pointed marketing-based sponsorship.
The overall result is a media ecology with an outflow every bit as shrunken and predictable as was that of the terrible old Socialist 1.x regimes.
It is pathetic, if not tragic — and also, of course, entirely undiscussed.