How do the agents of big business marketing who manage enterprises in the realm of audio broadcasting view their customers? Like all corporate marketers: as animals to be controlled on behalf of profit-seeking sponsors.
What, in the audio-commodity endeavor, is the experience their wares are designed to mimic? What is the lure?
“We’re companionship,” Robert Pittman, CEO of iHeartRadio, tells Advertising Age.
Big Brother, as always, would be purple with jealousy. Corporate radio and the headphone/earbud life are now passing as togetherness.
Very sorry, but TCT just has to ask it: At what point did he drop the “n”?
The marketing press just now is abuzz over the retirement of Lee Clow, the Chiat/Day agency bigwig whom Advertising Age breathlessly describes as “the creative mind behind ads like Apple’s ‘Think Different’ and Adidas’ ‘Impossible is Nothing.'”
Marketing honchos provide an interesting window into the psychopathology of excessive privilege. Having spent their years creating particularly shameless forms of propaganda, they are usually, upon such occasions, extra loquacious about their own endeavors.
To celebrate his own retirement, Mr. Clow, who obviously fancies himself something of a hippie/rebel, has released a “love letter to advertising.”
What’s in it? Apart from triteness and narcissism, very, very little.
Fascinating, meanwhile, that the big farewell of a supposedly major brain who retires the same week as scientists warn about the impending extinction of all insect life on Earth has nothing to say about the various wider effects of an industry that exists to “make people…maybe even buy something.”
History, should we figure out how to continue it, is very unlikely to smile upon the solipsism of such multi-millionaire clowns.
Meanwhile, it would be interesting if we were somehow able to debate how much creativity really went into “Think Different” and “Impossible is Nothing.” Doesn’t seem all that impressive, does it?
Could anybody cram more iconic mediocrities into one small frame? Jeff Bridges and Sarah-Jessica Parker? The Coen Brothers? The post-feminism of Sex Man-Chasing in the City? The sleep-inducing bore who is the Big Little Lebowski? Stella Artois beer?
Golden Hicksies all around! Shame on all these rich, over-rated people and things. May Bill Hicks’ immortal words haunt your nightly dreams.
The Baffler, as evidenced by its very title, has generally promoted the Frankfurt School’s haughtily flippant approach to issues of so-called “consumption.” The core premise of this now-classic analytic style is the hypothesis that corporate capitalism’s ever-expanding commodity galaxy has, by establishing something called “consumerism” or “consumer culture,” made us all equal and all insane.
In his hugely influential and immensely over-rated 1964 book, One-Dimensional Man, Herbert Marcuse set the basic terms of this particular escape from realism. Here is the core presumption of modern “consumption studies,” the foundational axiom I think of as “Marcuse’s Big If”:
If the worker and his boss enjoy the same television program and visit the same resort places, if the typist is as attractively made up as the daughter of her employer, if the Negro owns a Cadillac, if they all read the same newspaper, then this assimilation indicates not the disappearance of classes, but the extent to which the needs and satisfactions that serve the preservation of the Establishment are shared by the underlying population.
By treating this always-preposterous “if” as an established fact, the task for the would-be anti-consumerist expositor becomes not explaining how the sphere of product design and product use works, but rather pointing out how crazy people are for participating in prevailing “consumer” activities.
I mention all this because The Baffler has just published a very useful essay that goes some distance toward breaking away from Frankfurtian “consumer studies” tail-chasing. Though he still uses the word “consumer” too blithely, Alex Pereene, the essay’s author, points out that, when it comes down to it, there has been a general failure among supposed experts “to account for the social and psychological context of consumer spending.”
Pareene adds that, while everybody keeps promoting and swallowing Marcuse’s If, the reality is that ordinary people are made to “settle for LCD TVs as a new generation of robber barons shot cars into space because they couldn’t figure out what else to do with the staggering amount of money they have.”
Well said, Baffler, and may you continue to get less baffled and baffling.
Both ever-expanding data scraping and treatment of products as sales-maximizing, behavior-conditioning stimuli were elementary marketing priorities from Day One of the Marketing Era. Both pre-date, clearly and massively, the inevitable emergence of AMGAF.
Funny, then, that in this book’s 531 pages, Zuboff does not discuss big business marketing! I mean, the word “marketing” does not appear in the book’s index!
Hence, despite the many useful arguments and facts Zuboff provides in this work, the thing is a giant red herring, an effort to make hair-splitting look like brain surgery.
Big business marketing is really a rather amazing institution. The main engine of national and global culture and a plain and direct outgrowth of our socio-economic order, it is somehow so ideologically well-insulated that almost nobody can bring themselves to mention, let alone analyze, it.
As TCT has long argued, big business marketing only ever grows. Hence, unless and until we create a new social movement capable of perceiving, analyzing, and countering it, market totalitarianism will also only grow.
Consider the case of AT&T, the corporation just now releasing new services that will allow corporate advertisers to achieve, in the still hugely important activity of “linear TV” what is known in the marketing trade as “attribution.”
AT&T, of course, is a venerable corporation, dating back to the early days of the Corporate Revolution, in which, under elite lobbying pressure, U.S. states began, in the late 1880s, granting investors charters stripped of prior “grant theory” limits on conglomeration and cross-ownership.
As of 2018, AT&T was #9 in the Fortune 500, and also, according to Wikipedia, “the world’s largest media and entertainment company in terms of revenue.”
In that capacity, the bigger-than-ever behemoth is now promulgating Xandr, the private-sector espionage operation that will “provide a premium option for advertisers and publishers looking to reach specific audiences at scale in premium and brand-safe environments”: attribution.
Attribution is the ability to know, rather than merely guess, how individuals respond to advertising delivered via conventional television broadcasts. It is the computerized tracking of specific individuals’ real-world behaviors. With such capability, big business marketers gain ground on two major fronts in “Audience Targeting”:
Segmentation Use consumer insights from various trusted and secured data sources to better connect with current, lapsed or future customers. Identify particular patterns to predict future intentions and connect those individuals with the most relevant advertising.
Identity Mobile, TV and broadband customer relationships create a holistic view of consumers and their various touchpoints. By continually cleansing and normalizing IDs across channels we maintain a high-quality data set. This process provides deterministic household and device mapping with the ability to add probabilistic scoring to expand reach.